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Relief

by Good Brother

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    First batch of "Relief" printed and pressed by Worry Records. Purple tapes.

    If you're in Chicago, email me at goodbrothertheband@gmail.com and I'll bike it over to ya.

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1.
Horsey 03:45
There’s a stitch in you that’s caught up in me And though the color’s faded, You called it evergreen Opened horsey’s head, just to find the right words: Nothing was forgotten Perennial hearts, you lay with me in memory So even though it moves quite slow, we’ll see Some nights the moonlight hollowed out our living room And everything seemed perfect, Your eyes they were in bloom But I keep falling over, over again Tongue twisted, made of fabric Perennial hearts, you lay with me in memory So even though it moves quite slow, we’ll see (And you, stay here) So even when we end up empty, (Stay here) It’s not because I forgot to say goodbye (Stay here, please stay here) So follow your hands back to fields of dandelion
2.
You were the first one You were the one to show me that song and I still know it by heart You were the best one You were the one to show me around In your hometown I'm still sorry that it seems like instability But trouble finds a way of catching up with me And after Atlanta I’m sorry if I seemed to much But it’s never enough I felt like a turnstile Thoughts racing without any time to spare This wouldn’t be a quick repair It’s just that after hours seemed so much easier to me So even when we lied, it felt better every time
3.
You were there when the final curtain Called on my last life You were there to see it through, To keep me safe at night When it comes to thanks, It seems so simple now I don’t know how Even though it’s been so cold It still cuts like a knife Exit strategies were Floating from our tongues All old words You can’t hold the daylight or in betweens As close as it seems, it’s only for dreams You can’t hold the daylight or in betweens As close as it seems, as close as it seems Someone whispered it’s coming to a close You can’t hold the daylight or in betweens As close as it seems, it’s only for dreams You can’t hold the daylight or in betweens As close as it seems, as close as it seems (So whenever you come home, Please be sure you’re set in stone)
4.
I forgot how to breathe On a cold winter’s night The river was calling me It goes to show That even when the wind blows There will be daybreak The moonlight fades from underneath A blanket soft, a warm embrace Keep good company And try to fall asleep I never know How to say goodbye and mean it I never mean it Cause you were all that I could see Late last night, I dreamt of you The best of it The rest of it The off-white lies The throwaways, I let them slip away A house ain’t home, You breathe it out And then you let it all come in
5.
Odessa 03:39
Well, I’ve heard she’s full of secrets, even to this day Hard to realize, but it’d be better off the other way And if you see her there, man she glows Can hardly navigate the way out from underneath the dread And even when you could, couldn’t find out where it ends Practiced everything reverse, for all those years, what a curse The dust from Odessa Was buried in a sycamore Casting into light 'til everybody’s heard That we can’t find her now Even though it’s time to go, She lent me something gold Curse the roots of what I used to say was old If this was all a dream, what could be said of you? The dust from Odessa Was buried in a sycamore Casting into light 'til everybody’s heard That we can’t find her now So as you exit out the front door into light You, you caused a scene for no one, lips sealed tight With your distracted tunnel vision, hope to find Something I cannot define
6.
This is what retreat looks like: Huddled up in ill-fit clothes Pretending to renovate my smile Trying to bring you back home Miles of pavement in between Your sheets and mine I just want to rest my tired back But I won’t get to that tonight You wore the saddest songs on your sleeve Spinning circles in your dreams Watching dull programs on cable TV Won’t you sit a spell with me? I heard your landlines falling back Into dull arms And even in my best attempts, They still fall short No time for dinner, not tonight I'm just getting in Every time you move, it’s hard to figure out
7.
Bells Ring 02:40
As soon as the bells ring My mind slips into better times But just as a dream ends This too falls back to rest its head I can’t believe you’re here again Sailing through winter’s open end Waiting for dusk to settle in Keeping quiet until then Never the right place, never the right time To turn pages, open-ended, overdue Moving beyond everything in white Redirect me towards your light I can’t believe we’re here again Sailing past winter’s open end Waiting for dusk to settle in Keeping quiet until then
8.
You were standing Right beside me Hands in pockets Holding mostly Such an angel I had seen her cry Like the devil Kept in inside Overwhelming Evidence of loss Sorry vessels Never know the cost Poison arrows Seem the perfect cure For a child Caught up in a storm Never telling Of any argument You were so right I had missed the hint Now you see me Mostly behind glass If you could just Make me laugh Even the smallest ones would mourn for this But when it’s time to go, it’s time to go So farewell my friend Slowly in the back of my room Slowly, approaching, approaching june So here’s to you (This is what retreat looked like: Was huddled up in all those ill-fit clothes Now it’s time to come back home)

about

Written between 2013 and 2018.

Thanks to an almost endless list of people that include (but are not limited to): The Jaeschke, Zbichorski, Brown, and Terry families, Kati Murphy, Marcus Nuccio, Delia Hornik, Evan "Heaven" Loritsch, Erik Czaja, Andy Hendricks, Benj Rowe, Jackie Dempsey, Chris Dertz, Jinno Redovan, Tim McPherrin, Cory Clifford, Ben Barnett, Loren Dyrek, Avery Springer, Johnny Fabrizio, Natalie Andrews, Geoff Schott, and Andrew Wall.

A special thanks to Matt Frank for recording and mixing the album as well as dealing with my neurotic tendencies, Simon Small for mastering the tracks as well as dealing with my neurotic tendencies, Sarah Bogosh for their wonderful album art and voice on "Bells Ring" and "Approaching June", Clare Teeling for her incomparable spirit and vocals on "Horsey" and "Public Access", the Worry Records family for putting out this record and creating a label that truly feels like home, and Kevin Jacobi for joining the band after we finished the album on the keys.

Without you all, this record would not be possible. An eternal, sincere, and resounding "thank you".

Watch some music videos:

"Horsey" (c/o Worry Records): www.youtube.com/watch?v=tHrhnD525pY

"All Old Words" (c/o Emulsion Lab): www.youtube.com/watch?v=X73XwsOs2KY

credits

released December 7, 2018

All songs written by Mark Jaeschke, filled out by everyone else.

Mark Jaeschke: guitar, keyboard, vox
Joram Zbichorski: guitar, keyboard, vox
Ian Terry: bass, a bag of ruffles chips, trumpet, vox
Sam Brown: drumbies

Additional vocals on "Horsey" and "Public Access" were sung by Clare Teeling.

Additional vocals on "Bells Ring" and "Approaching June" were sung by Sarah Bogosh.

Artwork by Sarah Bogosh AKA Bad Ponies Illustration.

Recorded and mixed by Matthew Frank at Emaciated Raiden in Chicago, Illinois.

Mastered by Simon Small at Musicland Studios in London, England.

You can order the tape (feat. download code) at Worry Records here: www.worryrecords.com/products/630139-good-brother-relief

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Good Brother Chicago, Illinois

Your Favorite Rock N' Roll Outfit.

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